PRESS

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Quotes

"Fantastic"
Paul Jones, BBC Radio 2

"Righteous stuff"
Joel McIver, Classic Rock's The Blues magazine

"Played a sublime set...certainly revved the crowd up"
Russell Hill, Maverick Magazine

"One rock-solid tune after another... strongly recommended"
Marty Gunther, Blues Blast Magazine

"Impressive guitar"
Trevor Hodgett, R2 Magazine

"This is sunshine music"
Bluesdoodle.com

"Made In Mississippi is a belter of an album. Mark Cole and Rick Edwards, do not just "play" the Blues, they "feel" it too. This gives them the edge over many of their contemporaries.....they could easily find themselves being lauded as Britain's Jelly Roll Kings."
Gordon Baxter Blues in Britain magazine

"Raw, righteous,..the real Delta deal."
Leslie Fleury (Radio DJ, Blues Odyssey on KSER)

"You guys are the real deal!"
Will Dawson (sound engineer at Delta Recording Studio, Clarksdale, Mississippi)

"I really liked those Elmore James numbers - you got 'that tone' just right"
Kent DuChaine

"You guys have really got a good little unit there... I thought that was pretty darn good - you don't have to take a back seat to anybody"
Sonny 'Sunshine' Payne (legendary presenter of King Biscuit Time on Radio KFFA, Helena, Arkansas)

"They give you the spirit and essence that is required and deliver with belief...their playing is indeed atmospheric and complimentary and will get you tapping your feet at the appropriate times...more please guys!"
Blues Matters Magazine

"They are exceptional"
John Roberts (Bullfrog Blues Club promoter)

A lilting harp line kicks off “Just Want To Make A Living,” a song any musician can relate to with the message: “I don’t want to make a name/I just want to make a living.” The ensemble’s collective light touch effortlessly drives the tune forward with Edwards contributing an extended solo at the break while Cole’s vocals are powerful, clean, and swing. The theme continues, driven by a syncopated drumbeat and doubling harp line to propel “Never Had Nothin’ When Times Were Good.” A cover of the Curtis Mayfield classic, “People Get Ready,” follows, borrowing a little from the song’s treatment by Bob Marley.

The Sons take a little liberty with Robert Petway’s “Catfish Blues” for their rendition of “Spaceman Blues.” The original borrows rhythm and lyrical patterns from the 1941 classic, aided by a control-room voiceover. This time, however, Cole wishes he were a spaceman and could explore the girl of his dreams through the day as he makes the song his own. “Scared Of Love” borrows the opening guitar lick from Magic Sam’s “Easy Baby” as it delivers the story of a woman who’s scared of love and runs away. Edwards’ fretwork is featured throughout as he lays down his own stylish patterns.

“Time Marches On” adapts a walking rhythm and driving circular harp line as it sings to the benefits of the blues: “Blues is like wine./It gets better with age./And I’m a-gonna keep playin’./Just wheel me on stage.” Next up, “Downhome Blues” is a Southern blues-rock original about the population of the Delta through slavery, not a cover of the Z.Z. Hill blockbuster. Bukka White’s “When Can I Change My Clothes” follows, delivered with reverence, combining acoustic and electric guitar patterns as it delivers the first-person message of someone working on a chain gang.

The band gets funky for the sexually fueled “Get Down And Let Me In” before a little old-style Chicago slow blues, “Too Little Too Late,” a nine-minute grinder about a relationship gone bad. “Thirtynineteen” features a swamp blues rhythm pattern as it describes a mature woman with playful ways, while “Water Will Rise” is an acoustic tune that recounts flooding around the world with a strong Delta/gospel feel. The disc concludes with “Out On A Saturday Night,” a plea leave the TV behind to enjoy live music somewhere outside.

Available through all of the major online outlets, Tasty Nuggets is well-named. The Sons Of The Delta are unrelenting as they deliver one rock-solid tune after another. The disc will grow with each subsequent listen. Strongly recommended.

Marty Gunther, Blues Blast Magazine.

Original review here...

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